Won the 2021 Grammy for Album of the Year and drew her strongest reviews (Metacritic 88), reinventing her as an indie-folk storyteller with Aaron Dessner and Jack Antonoff.
Fifteen records, one songwriter, sorted by acclaim and impact.
Won the 2021 Grammy for Album of the Year and drew her strongest reviews (Metacritic 88), reinventing her as an indie-folk storyteller with Aaron Dessner and Jack Antonoff.
Won Album of the Year at the 2016 Grammys and completed her switch to synth-pop with 'Blank Space' and 'Shake It Off,' selling over 1.28 million copies in its US debut week.
Critically reappraised as her sharpest writing, anchored by the ten-minute 'All Too Well'; its 2021 re-record version made that track the longest song ever to top the Hot 100.
Won the 2024 Album of the Year (her record fourth), broke Spotify's single-day streaming record on release, and swept the top ten of the Hot 100 with 'Anti-Hero' at number one.
Made her, at 20, the youngest Album of the Year Grammy winner at the time (2010) and remains one of country's best-selling albums with 'Love Story' and 'You Belong with Me.'
Written solo with no co-writers across all 14 tracks, a rare feat for a mainstream album, earning wide critical respect for its craft and ambition.
The surprise 2020 companion to Folklore continued its acclaimed indie-folk mode and earned an Album of the Year nomination, though generally rated a notch below its predecessor.
Positively reviewed return to bright pop that produced the slow-burn smash 'Cruel Summer'; sprawling at 18 tracks but home to some of her most-streamed songs.
Commercially dominant as 2017's best-selling US album, but its aggressive electro-pop split critics, landing it as a polarizing but influential era.
Set streaming records as the first album to pass one billion Spotify streams in a week, but its 31-track anthology drew mixed reviews for bloat and repetition.
Historically vital as the launchpad that made her a teen country star with 'Tim McGraw' and 'Our Song,' but the least sonically developed record in the catalog.
A faithful 2021 re-recording valued for restoring master ownership and unveiling the ten-minute 'All Too Well,' ranked here as a revisit rather than a new artistic statement.
The 2021 re-recording that opened her ownership project; historically significant and chart-topping, but musically a near-replica placed low for originality.
Well-received 2023 re-cut with 'From the Vault' extras, but it retreads an album already ranked at the top rather than breaking new ground.
A loyal 2023 re-recording prized by fans for reclaiming her catalog, but as a duplicate it sits lowest on an acclaim-and-impact scale.
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